Excerpt from Shadowhunter

This is an excerpt from Shadowhunter. It takes the form of a fictional newspaper article within the story.

Breaking News: Late WattSon Inc. Scientist Implicated in Treason

Two weeks ago, Dr. James Cunningham (1970-2009) died in a plane crash in Vietnam. The scientist departed from Los Angeles at 8:00 in the morning in a private plane, and crashed in Vietnam at an estimated time of 6:45 PM that evening. There were no distress calls from the plane.

Four bodies were founding the plane, both badly burned and unrecognizable. It has been confirmed that the four bodies belong to the three crew members and the unfortunate scientist.

Dr. Cunningham was cofounder of WattSon Inc., along with Dr. Simon Watts and Dr. Oscar Son. It has been said that the three scientists had many fallings-out over the years, finally prompting Dr. Cunningham to presumably desert the company.

Evidence has been uncovered that hints that Dr. Cunningham was a traitor to the United States, and was going to sell precious scientific discoveries that he had previously agreed to hand over to the US government.

These secrets have died with him, though. Dr. Watts says: “It is a terrible tragedy that a man such as Jim had to meet his end like this. We may have had our differences over the years, but Jim was a good man.”

The widow of the late Cunningham says, “I believe that my husband is innocent…He never showed signs of this unexpected change of heart…I believe that soon, evidence will come up that will support his exoneration.”

Dr. Cunningham had divorced his wife, Mary, before he fled. Mary Cunningham is a detective for the Easternapolis Police Department.

“I will do everything I can to prove his innocence,” she says.

Things aren’t looking good for Dr. Cunningham. Will his innocence be proven, or will his legacy be one of shame? 

Story-Shadowhunter

From now on, posts with the category Story-Shadowhunter are for a story that I am writing. This story is novelette-length and I am writing it for a school project. I will be posting a chapter a week on this page. Follow the story and post comments about what you think/what you want to happen next!

To view progress for the story by itself, simply click on the category, and they will all appear in order.

Posts will appear newest first, so if you are reading, you will want to scroll down to the bottom and read up.

Starting today, feel free to visit http://edublogs.npchristian.org/rozendalenglish10h/ to see updates on my progress, as well as excerpts from the story as I go along.

Peter Cunningham is your average Middle Schooler. His life is dull, tasteless. But one day, everything changes. Suddenly some very powerful and very evil people are unusually interested in him. When he and his best friends are kidnapped, Peter’s life turns upside down. He discovers abilities that he never knew he had. What do these things mean, and will he get out of it all alive?

The Amazing Spiderman Franchise

*spoilers for the Amazing Spiderman franchise*

I thoroughly enjoyed the first two Amazing Spiderman movies. I thought they were infinitely better than the originals. I was glad they stayed true to the comics with Gwen being Peter’s first love interest, and that she *tear* had to die. But where is the franchise going now? It looks like a Sinister Six movie could be slated for 2016 (the original slot of Amazing Spiderman 3), with Amazing Spiderman 3 being pushed back to 2018! There is also a Venom movie in there somewhere.

I think that there are several things wrong with this idea.

I’m OK with spin-off films, and all that, but Andrew Garfield’s Spidey is too precious to lose after only two movies. We might have to wait four more years to get more of him! That wouldn’t be good. The man will be 35 then, and it is likely that he then won’t be able to continue as the character. And many people are against a stand-alone Sinister Six movie, or a Venom one for that matter. Here’s what I think they should do:

2016: Amazing Spiderman 3, featuring Doctor Octopus as the main villain, with a one more, lesser-known Spidey villain as a secondary antagonist. Felicity Jones should return as Felicia Hardy, with maybe a cameo as the Black Cat. The movie should take place in 2016, so a year and a half after the end of Amazing Spiderman 3. Peter Parker should have moved out of Aunt May’s house, and is a college student and photographer for the Daily Bugle. He meets Mary Jane Watson, a college student who happens to live next door to Aunt May.  He falls in love with her, though he still suffers from occasional stress-induced dreams of Gwen. Doctor Octavius is the new CEO of Oscorp, and is, of course, corrupt. He uses the bionic octopus arms, and becomes evil (with a reasonable, believable origin story!) Peter fights him, and briefly teams up with Black Cat. Peter is victorious, though he doesn’t kill Doc Ock, and begins to date Mary Jane.

2017: Amazing Spiderman 4, featuring the Sinister Six? Takes place two years after ASM3, so Peter is finally out of college, and has a full job. He considers proposing to Mary Jane. He succeeds in beating the Sinister Six, though the victory isn’t easy. Maybe there can be a cameo of Miles Morales.

2018: Amazing Spiderman 5, the final film, this one featuring Peter Parker and Mary Jane married. This could take place several years after the end of ASM4. It would feature one or two lesser-known villains in cool roles, and should bring back Dane DeHaan as Harry Osborn.

Though all of this is just my fantasies for the franchise, and though nothing of this sort will ever likely happen, it is based on speculations that have been floating around for the franchise: Sinister Six might be cancelled, and then hopefully ASM3 could take its 2016 slot. It is clear that Miles Morales will be in the franchise somehow, though it has been said definitively that he won’t be replacing Peter Parker. This doesn’t mean that anyone won’t be replacing Andrew Garfield as Peter Parker…. It is likely that, if they go at the pace they are going, Sony is going to have to recast the role with someone younger. I think they need to quicken their pace, pump out some strong, back-to-back movies and get it done with. That way, it should work out. They could always end the franchise with ASM3 or ASM4, like the original plan was.

I hope that Marvel gets the rights back to Spiderman in the near future (but not before the Amazing franchise is finished). It would be interesting to see him integrated into the Marvel Cinematic Universe in some way. I would love to see someone like Asa Butterfield take on the role in, say, eight or ten years, in an adaptation that is not only true to the comics, but truly amazing in every way.

Honestly, these are just my fantasies for the film franchise. I will be satisfied, though, if they just get the movies out quicker and don’t recast Andrew Garfield. I don’t particularly care who is cast as Mary Jane, as I’m not a big fan of her character, but I do think that whoever they cast needs to be as good an actress as Emma Stone.

If you have any thoughts about the Amazing Spiderman franchise, let me know in the comments below!

 

The Count of Monte Cristo

I recently read The Count of Monte Cristo, which is probably one of the best books ever written in the history of the world. I accidentally picked up an abridged copy instead of a full copy (always read the original translation instead of an abridged copy), so I can’t say that I got the “full experience”. However, it was ABSOLUTELY AMAZING.

Alexandre Dumas is an absolute genius. I don’t know how one human being could come up with a plot so interwoven and intricate. The characters were well-developed and I was constantly wondering how things were going to work out. The book is full of surprises as you learn that this person is actually related to that person, or that one character that you forgot about from the first part of the book actually made a huge impact on the life of the main character through some weird connection that all ends up making absolute sense in the end.

Was I often confused? Yes I was. But, with the help of character relation charts and Wikipedia blurbs, it is possible to get through this masterpiece. I would recommend taking notes while reading this, if just to help you remember how the characters are related and all this.

All in all, I reeaaallly enjoyed this book. I would give it 5/5 stars. If you are going to read it (which you should!) make sure that you get a good, unabridged translation.

The Hobbit Films

Let me first say that I loved the LoTR films and I thought Peter Jackson did a really good job with them. I love Tolkien, as I’ve already mentioned, and The Hobbit is one of my favorite books. Sometime in 2011/12, I heard that it was being adapted to film, and I was ecstatic. I mean, really, really, REALLY excited. But now that I’ve seen the first two of the planned trilogy, what do I think?

To start off: I think that The Hobbit is a very different book than LoTR. Tolkien is essentially writing about a different Middle Earth. The elves of The Hobbit are much more fairy-like than the elves of LoTR. Gandalf is much more of a stereotypical wizard in The Hobbit, and Elrond is much more fairy-king in The Hobbit than the noble and somewhat grim lord in LoTR. So I knew off the bat that some things would be changed when The Hobbit was adapted to film so that it would resemble LoTR more.

What I thought worked in the films:

1. Casting. Again, I think they did some pretty great casting with these movies. Ian McKellen returns, playing Gandalf as brilliantly as ever. We also get glimpses of Cate Blanchett, Hugo Weaving, and Christopher Lee returning in their iconic roles. The Hobbit also presented the opportunity to get a much better glimpse at the dwarves than we got in LoTR with Gimli. I think the dwarves were well-handled. Yes, they were changed a bit from the book, but that is good. If they had been portrayed just like their book counterparts, they would resemble cartoonish garden-gnomes. I do wish that an older actor had been chosen to play Thorin (Alan Rickman, maybe??) but Richard Armitage does a great job. I also think that Martin Freeman does a wonderful job playing Bilbo. He looks enough like a young Ian Holm to connect the performance to the one in LoTR, and is a good enough actor that he makes the role his own.

2. The Elves. I liked the portrayal of the elves in these films, especially the second movie, when we get a glimpse of the Woodland Realm. Thranduil, played by Lee Pace, is interesting and chilling. Is he a villain? An anti-hero? It was nice, because we got to see that the elves are not a boring, universally-good race. They have a diverse culture and branches that aren’t all squeaky-clean like Arwen and Elrond. Tauriel was an interesting addition, but I’ll get more in depth about her later.

3. The location. Once again, New Zealand was a beautiful substitute for Middle Earth. It is Middle Earth on Earth. I think they did a great job of creating the world again; making it seem like the same place, yet a little younger and different. Hobbiton was beautiful and I decided that if I could live there, I would.

4. The dragon. Smaug was amazing. Seriously. He was awesome. I will admit that the movie-version of Smaug looks absolutely nothing like how I imagined him in my mind, but that’s totally okay. Benedict Cumberbatch’s voice is genuinely scary as the dragon and I think he was perfectly cast in the movie.

5. Gandalf’s subplot. In the book, it never directly addressed what Gandalf was doing when he ran off. I believe in the Appendices it says that he was scouting, or something like that, or maybe meeting with Elrond’s sons, but it was never specifically addressed. However, also in the Appendices, there is this awesome part where Gandalf and the elves find Sauron holed up in Dol Guldur and attack him. Of course, this doesn’t take place around the time of The Hobbit, but Peter Jackson has already shown that he is not afraid to completely alter timelines that Tolkien provided.

6. Radagast. Radagast the Brown was a brilliant addition to the films, and I really enjoyed seeing him with all of his cute animal friends. It reminded me of the fairy-tale style of Tolkien’s early versions of Middle Earth.

7. The ending of the second film. By the ending, I mean the very end: the little clip where Smaug is flying off to Laketown to burn it to crisps and says some pretty awesome dragonish things. I thought that part really worked, and almost redeemed the film after the cheesy action sequence before it.

 

What I don’t think worked in the film:

1. The B-grade action-movie action. The Hobbit is a fairy tale, basically, with fairy-tale action. Yes, there is a pretty epic battle at the end, but that’s it. But, this being Hollywood in the 21st century they needed to add some serious ACTION to the films. Do I think the action took away from the integrity of the films as a whole? Not really. Did I roll my eyes when the dwarves fell down a huge chasm on a bridge and survived–even when a giant goblin completely crushed them? Yes. (Actually, I thought the entire goblin-tunnels fight/flee scene was a little corny and a little too choreographed).

2. The big golden statue. At the end of the second film, the dwarves make this huge statue of molten gold. I have a few problems with this. First of all, the premise is a little unbelievable in the first place: that there’s this enormous mold for a statue just sitting in the throne room for years on end, and there’s gold just waiting to be poured into it? Also, there’s the part where Thorin rides the molten gold like it is a lazy-river at an amusement park. That was kind of ridiculous. If that was real molten gold, Thorin should be burning to crisps. It is clear that it was pretty hot, because Smaug thrashed around in pain when it covered him. Then there is the actual statue. What was the point of it? And how did it not melt into a really unimpressive blob as soon as Thorin revealed it? Mysteries that will never be revealed.

 

What I’m still not sure about:

1. Tauriel and Legolas. I understand why both of them were added to the films, and I think that they were both done well. However, I don’t think they really benefited the story in any way, except to add some romance (Tauriel-Kili, Legolas-Tauriel, and maybe even Thranduil-Tauriel) and some familial tension (Legolas-Thranduil) as well as a way to show who Legolas was before LoTR. All that’s good, but I really don’t think the story would have suffered if neither of them was included. I’m just thankful that Arwen didn’t make an appearance, though I would have been very interested in seeing a young Aragorn make a cameo during the Rivendell scenes. Wouldn’t that have been incredibly awesome?

2. Thranduil’s face. The part where Thranduil showed Thorin his scarred face was just kind of weird. Maybe it will play out in the third film, but right now I’m still saying that it was just strange.

3. The Laketown subplot. The subplot of Laketown and its political unrest was interesting, but it was a little dull and I thought that it may have distracted from the film’s overall plot. Did I enjoy it? Yes, especially the Master. But do I wish that they had decided to leave it for the Extended Versions? Yes.

 

In conclusion, I think that The Hobbit films are turning out to be pretty good. They are nowhere near as amazing and ground-breaking as the LoTR films, but they are good Winter-break entertainment. I would give the first movie 4 out of 5 stars, and the second movie 3 out of 5 stars. I will definitely go see the third movie, and I definitely recommend the movies to anyone who hasn’t seen them, though, like always, I say that you should read the book first.

Characterization

I recently got part of my first manuscript back from an editor, and it has been both a joy and a burden to edit it. Through editing, and just some research that I’ve been doing, I’ve come to the issue of characterization: making memorable, realistic characters. I actually LOVE creating characters. I have several folders on my computer that are each full of character profiles. But what are the most important parts of characterization?

1. What role does the person play in the story? Protagonist, main character, supporting character, or minor character?

In my opinion, the protagonist should have the most characterization, though not by much. As you go down each level of character hierarchy, the amount of characterization can decrease, though even a minor character needs to have defining traits.

2. What we instantly notice

When I come up with a character, I try to imagine what I would notice if I met them at a mixer at my school, or a concert, or on a bus. If I see them,  what traits stick out in my mind? Is she extremely tall? Does he have really big ears? Nervous looking eyes? A shuffling walk? A booming laugh?

Physical appearance

No matter what, I think it is important to give at least a basic physical description of a character when you introduce them. Again, it depends on how major the character is. I think that, for the most part, naming two or three really noticeable characteristics is good to start out, and then slowly introduce more detailed descriptions.

Some things that most people seem to notice instantly: basic height, basic weight, hair color and style, skin tone, clothing, and in some cases, eyes.

Voice

We always notice someone’s voice when they talk. Even if we don’t remember it immediately, it is one of the first things we notice about them, and it can be the thing we define them by.

A good way to make a character memorable is to give them a distinctive way of speech. For instance: Hagrid from Harry Potter. He was one of the many characters whose name started with an H, but his distinctive way of talking made him memorable.

Walk

This isn’t as important, but we notice is someone has a distinctive walk. I know a guy who walks kind of like a bird (or in another friend’s words: a pterodactyl), another friend who basically dances when she walks, and another who walks with a slouch. These three people are very recognizable by their walks.

3. What we eventually notice

There are things about a person that we don’t get from a first impression, but do notice once we get to know them well.

Personality

Someone’s personality is something that you can get a glimpse of when you meet them (do they shake your hand firmly or seem hesitant to even make eye contact?) but you don’t get a good picture of until you really get to know them. As a reader, I know that I like to read about a character with a defining personality.

Quirks

Something that I think makes characters the most memorable is if they have a couple random and funny quirks. Do they iron their jeans? Do they have a talent for faking accents? Do they have a debilitating fear of spatulas? These are the things that make a character funny and memorable.

4. What only they (and we as the author) notice

There are some things that only the character knows, and an author needs to know these things also.

Secrets

Most major characters should have a secret, I think. Not necessarily something that they carry with them for an entire series, but maybe something that influences a subplot. But this secret should be something that clearly has defined their character.

Backstory

Each character has a backstory. Some backstory will be revealed, maybe even most of it, but I don’t think that all of a character’s backstory should be completely revealed, ever. It should remain one of those things that remains in the background, influencing them.

 

These are just a few of the things I think define a good character in a novel. If you can think of any other things, feel free to comment below!

Inheritance Cycle

So, The Inheritance Cycle. When I first read Eragon, I hadn’t really read any real fantasy besides The Hobbit, Chronicles of Prydain, and the Chronicles of Narnia. So, I absolutely loved Eragon. I devoured the first book, eagerly read the second book (though at times it was slow), sped through Brisingr, and eagerly awaited Inheritance, pleading with the release dates to come sooner. I had detailed pictures of each character in my mind, and I knew exactly how I wanted it to end, and what I thought each character would do.

I’ll admit it, I loved the books. And I still think that they’re pretty good, though I’m not nearly as absorbed in them as I once was. Why? I read some reviews and some more fantasy. I realized that the prose was actually too long and pretentious (though really beautiful at parts). But, I still liked the series and I re-read the books multiple times.

Now, I’m on the fence about if the book is a) a masterpiece that is just so genius that we normal people don’t understand it, b) mediocre fantasy that was good when I was younger, but doesn’t really deserve a five (or four) star rating, or c) a horrifying rip-off of other fantasy and science fiction. So, I’ll highlight the book’s strengths and weaknesses.

Strength 1: The main character

At the beginning of the first book, Eragon is fifteen, just like the author. Right now, I’m fifteen, so I think I would know how a fifteen-year-old boy would think. And yes, in the first book, Eragon thinks and acts like a fifteen-year-old-boy. He is self-absorbed, arrogant, impulsive, and rude. Paolini, as a teenager with teenaged friends, clearly understood how a teenager works, and was able to carry that into Eragon, because Eragon seemed to be a reflection of Paolini. However…

Weakness 1: The main character

Christopher Paolini clearly wrote Eragon as a reflection of himself. He even said so in an interview. This works as long as Eragon was the same age as Paolini, but Paolini was 30ish when the last book came out, while Eragon was still around 17/18 (I’ll come back to Eragon’s uncertain age later). Eragon quickly began to think and act like an adult man, even though for the first books it was clear that he doesn’t age to more than 17 or 18 by the beginning of Brisingr. This could be cleared up in a new edition with some characters remarking how Eragon has matured.

Strength 2: the fictional world

Alagaesia was clearly a well-thought-out world. Paolini knew exactly what it looked like, and I could easily envision it as well. I also like that he was inspired by his home state.

Weakness 2: Backstories not revealed 

I see nothing wrong with having a mysterious character here and there, but I do like backstory to be fleshed out by the end of the series, especially the backstory of the villain (one of the reasons I love the Harry Potter series). Galbatorix is never given more backstory besides the short tale that Brom recites at the beginning of the first book. This could be cleared in a prequel.

Angela the Herbalist, one of my favorite characters, has a very mysterious past. I liked that about her, but I really wish Paolini had given her some backstory. I believe that it was strongly hinted that she was the soothsayer, but why oh why didn’t he confirm it? Speculation is all right for a while, but some clarity is eventually needed.

Strength 3: Action!

I think the series is aimed a kids like me who hadn’t yet read classics like Lord of the Rings. So, it has a ton of action. Roran Stronghammer, Eragon Shadeslayer, and then Saphira just slaughtering left and right. Preteens and young teens appreciate a larger-than-life character who fight like a Greek god.

Weakness 3: Continuity/timeline errors

There are a few continuity errors that I will address. First: when was Saphira’s egg stolen? The explanation in the book is that it was stolen around the same time that Selena went back to Carvahall. So, sixteen years before the events of Book 1. But, other characters say that it was twenty years ago, or that it was eighteen years ago (both in the first and second book), when Eragon is still sixteen. Either it was characters’ mistakes or an error of the author. Either way, it could be cleared up in an new edition.

Another confusing plot element: Elaine is five months pregnant at the beginning of Eldest. However, she doesn’t give birth until the middle of Inheritance. So, either all of Eldest, all of Brisingr, and a part of Inheritance takes place over a period of four months, or the author made a mistake. However, Katrina is also pregnant in Brisingr, and gives birth soon after the death of Galbatorix. This implies that Brisingr and Inheritance take place over about an eight-to-ten month period–and that is only if Inheritance takes place directly after Brisingr. And, it is pretty clear that the villager’s-journey subplot in Eldest occurs simultaneously to the real plot. Paolini could have cleared this all up by including a fictional timeline in each book, as well as dates at the beginning of each book.

Strength 4: Angela the herbalist

She was just some much-needed comic relief, and an interesting plot-driver.

Weakness 4: The heavy use of deus ex machina 

The solutions or the endings of plotlines seemed to always be a little lucky or not natural. For instance: Galbatorix committing suicide because Eragon made him really, really sad; Eragon and Saphira discovering their true names at exactly the right times; the whole thing with the Rock of Kuthien and the Eldunarya in the Vault of Souls.

Strength 5: an unexpected ending

I am actually glad that the book did not end with Eragon riding off into the sunset hand-in-hand with Arya. I think the series needed a bit of unexpected-ness. Now, as long as Paolini doesn’t bring Eragon back to Alagaesia in the next book (and there will be a new book eventually), I will remain satisfied.

Weakness 5: extreme length and useless subplots

Let me start by saying that I actually love long books, as long as the book is long because the plot is complex and because there is a ton of character development. Again, let me mention Harry Potter. But the Inheritance Cycle doesn’t have a ton of character development, or a very complex plot. I think Paolini made it long because he wanted to write a long series.

There were unnecessary subplots (all of Roran’s battles…) that could have been condensed. I don’t think the series should have been extended into a quadrilogy, but, oh well.

Conclusion! 

I would say that the Inheritance Cycle has a lot of potential, if you read it just for enjoyment and ignore the borrowed plot elements and names (Aragorn-Eragon, Arwen-Arya, Isildor-Isidar, etc.). I loved it when I was younger and I think that I might read the series again sometime in a few years, but I need a break from it for now. As for the movie, I’ll talk about that in a different post.

Not At All Bored of the Rings

The Lord of the Rings is one of the best books I have ever read. I don’t know which I love better, The Lord of the Rings or The Hobbit, because they are both amazing. I’ll compare them later, but this is why I think The Lord of the Rings is an amazing book:

The Writing

The writing is very, very good. It is long, and descriptive, but it’s not overly difficult to read. Tolkien was a literary genius, and his genius comes across in his writing very clearly. The sometimes fanciful but well-written descriptions of people and places are refreshing and enjoyable.

The writing is deep and I could definitely tell that Tolkien had spent enormous amounts of time on refining the novel.

The Characters

The characters of the book are all very deep and extremely well thought-out. Pretty much every character has an back story and a family tree. They all have personalities and their own character arc. Even if their role is small in The Lord of the Rings, they are fleshed out and are still real people.

The protagonists are likable people, but they aren’t perfect. And, the antagonists are wicked and easily detestable. The orcs are gross and absolutely evil.

The Plot

The plot is interesting and layered. There are expertly woven subplots among all the major plots, and every single one seems important. Some might argue that there is too much emphasis placed on the subplots or on the little details, and I can see where they are coming from. But I really like it. I can occasionally obsess over details, and I really appreciated the large backstory woven into the stories.

Conclusion

Those are just three of the reasons that I love the Lord of the Rings, but there are many more—too many to write down. I am a huge fan of Tolkien, as my family knows, and I could wax eloquent about him for hours—but I won’t.

Bore-gent: My Divergent Experience

I know that there is a very popular series going around, the Divergent series by Veronica Roth. Due to coaxing from my sister and friends, I read the series. It took me a while, which is abnormal, but I powered through it. I was pleasantly surprised with the first book, slightly disappointed with the second book, and absolutely bored with the third book. Frankly, it was terrible. I actually wish that I could go back in time and make the wise decision to not pick it up from the library. At least I had the wisdom to not buy it. So, I will go through the series, explaining my distaste for it, starting at the beginning.

Note: do not read this review if a) you have not finished the series and want to, or b)enjoyed the series and really don’t want to hear anything bad about it. From personal experience, a negative review can ruin your positive opinion of a book. Read at your own risk!

Seriously, there are spoilers.

And I really don’t like these books. My opinion is strong.

Did I mention spoilers?

The Titles

I know that the similarities in the titles could be a “tie-in” or something like that, but I thought that the titles were just gimmicky in the first two and forced in the third. I could understand the word divergent as a title for the first book, but insurgent and allegiant just felt like they didn’t reach their full capacity for their titles. I didn’t think that the words were used in the books skillfully. “Allegiant” seemed especially forced for me. If I had been leading a rebellion, I would not have called us the Allegiant. Allies maybe, but not “allegiant”. One-word titles are hard to do, and I’ve only read two series that had good one-word titles for each book. I liked those because though the words may have been used in the books, they were more ambiguous, less this-is-a-cool-word-let’s-try-to-figure-out-how-to-fit-it-into-the-plot.

The Characters

Sometimes Tris felt like a real teenager—a real, three-dimensional person with personality, motive, and feelings. Other times, she felt like a two-dimensional version of a three-dimensional character. Oftentimes, her personality and character seemed to be suppressed because the story needed to go a certain way, not because that is what Tris, as a person, would have done.

When Tobias was introduced in Allegiant as a POV character, I often had trouble distinguishing him from Tris. He had no individuality from her. No distinguishable differences in his personality, and no defining characteristics that made me go, wow, this is a cool, new perspective. Again, Tobias seemed to do things because the plot demanded it, not because this is what he would do as a person. Tobias was not a strong Dauntless revolutionary, he was a whining fifteen-year-old girl.

The other characters of the series never seemed to become real people. They were just characters on the page whose only purpose was to be shot or die a tragic death defending Tris and Tobias. Most of those deaths were supposed to be tragic, but I was unable to be sad because I could not relate to those characters. They weren’t real to me.

Tris and Tobias didn’t EVER act like teenagers except when they were worrying if the other was interested in someone else. I would have enjoyed the books maybe slightly more if Tris had been 18 and Tobias had been 20. Tris already acts like a world-weary 20-some-year-old, and Tobias acts like a whiny twelve-year-old girl on some occasions.

The Writing Style

There was nothing sophisticated to the writing. I like a few simple sentences scattered throughout a book, but this entire book was composed of simple sentences. That would be like a piece of music that only played two notes, or sang only two words. Boring.

Also, the writing style was sometimes formulaic. For example: [insert noun] smelled like [insert smell] and [insert smell] and [insert smell]. Sometimes, I think the word “said” is overused, as are words like “asked,” “told,” “commented,” etc. These words did not come up too much, I thought, but instead, the writing went to the other extreme. There would be a sentence of dialog and then an action by the person who spoke. I like glimpses at action, but these seemed a little too forced, again. Some of the glimpses at action were completely unnecessary and I was sometimes very confused about who was talking versus who was acting.

Though I agree that there is something to say about simple vocabulary to move the speed of a novel along, I don’t think there was one word in the whole series more than three syllables.

Okay, that’s an exaggeration, but I don’t think it is too far off. There is nothing wrong with having to go to a dictionary to actually look up a word. The only words I wasn’t entirely sure of were Divergent, Insurgent, and Allegiant, but Roth conveniently explains those in the text. All in all, I was disappointed with the bland, uninteresting and yawn-inducing.

The POV

I didn’t mind the first-person POV of the first novel. In the second, I did feel a little constricted, and in the third, the decision to split the POV was very confusing. Tobias and Tris were written exactly alike. I know that Roth needed to split the POV to carry the story along, but I think she should have done Cara or Christina instead of Tobias. While Tobias either did stupid things the entire book or went and told everything to his girlfriend, Cara and Christina actually had thoughts of their own. Christina presented a very interesting perspective, as she lost her really close friend.

The Romance

As a fifteen-year-old guy, I’m not a fan of sappy romance in general. However, for being a science fiction series, I think that these books had a little too much romance. That is just my opinion, and Roth can do whatever she wants with kissing in her books.

However, I didn’t really like how Tobias handled romance in the third book. He was kind of obsessive over it. I think he thought about it too much. This is probably just an error in the author. She probably didn’t really ask any guys how they view relationships. Maybe she did, but I don’t think so.

I often wanted to skip over these scenes, but they were interspersed with “action” and “plot” so I didn’t want to miss anything.

To sum it up, the romance took away from the “plot”; it was distracting and sometimes a little annoying.

The Plot

The books have been praised for their fast-pace, and I agree. They are fast. Sometimes too fast. Under close scrutiny, the plot falls apart like a fragile house of cards.

These people are in a city with no contact with the outside world. Yup. There’s a bad government (Government is always bad in the future. We’re sunk). People are divided into factions based on aptitude tests. Okay… But some people aren’t. Because they’re “special”. There is a revolution. Understandable. People die. Yes, that happens in war. Things change. Good.

When reading the first two books I was very interested in why they were in the city. Massive nuclear war? Totalitarian government somewhere else in the world? Crime? Alien invasion? And then I read the ending of the second book and was like: what…? It really didn’t make much sense, and I thought that the ending was rushed.

And then I read Allegiant. Frankly, the book was horrible. There were just so many things wrong with it. The plot fell apart as if someone drove a semi-truck into that fragile house of cards. The revelation that the city was a science experiment was just strange and completely unbelievable. (Yes it is science fiction, which is not always believable, but science fiction needs to have realistic science in it.)

There was no realism to that science experiment. There was no control or constant. It was just a bunch of “scientists” sitting down and going, “uh, how ‘bout we put them in a city…without the good genes…somehow they…uh…might mutate back to the pure genes…and then we’ll send out the only pure genes to us. Yeah, good talk.”

By isolating the mutation that they wished to eradicate, the scientists eliminated the chance of ever getting rid of the impure genes. They cut it off completely from the pure genes, separating the variables in a really bad way.

And that’s with accepting the fact that you don’t need eight generations for a gene mutation to be present. Look at a kid and his parents. Say his parents have brown eyes (dominant) and blue eyes (recessive). The kid could have either brown or blue eyes. Even if he does have brown eyes, it will not take eight generations for blue eyes to present themselves in his family. And even more mutations of eye color will be introduced throughout more marriages. It would be the same with those mutated genes. Breeding the mutated genes would not produce healthy genes. They would produce more horribly mutated genes.

Another point. They were in the city for two hundred years. I’ve noticed that often when telling stories, we add in hundreds of years to backstories as if they mean nothing. Our country is two hundred and forty years old give or take.

Then there was the whole thing about resetting the “experiments”. Seriously, haven’t you considered that this is a waste of your time? No, let’s just wipe out all of our mediocre work and start at the beginning again. Another two hundred years of sipping coffee and watching people sort themselves into groups.

But wait, there’s a magic potion—I mean, serum—to fix every problem. They should bottle those things and sell them. They’d make loads of money.

All in all, the plot was loose. But Roth has a chance to save herself. If the ending of the series is good, then I can eat my words for the most part and accept the books for what they will be: mediocre.

The Ending

Sigh. I spoke to soon.

Okay, I have a confession to make. I knew that Tris was going to die. Before I thought I would read the series, I looked up the ending. When I started to read the series, I was like, no, she has to die? And then I got further, and I was like, when is this going to end? Let’s do it already.

Honestly, there’s nothing special about Tris. She’s just a girl who’s “divergent” (which actually means nothing) and happens to be part of a revolution. She’s just like Marlene, or Lynn, those poor girls who were killed before they were developed. So, I was interested. It made sense that the protagonist would not make it out. I don’t always like it when the protagonist unrealistically is saved at the last minute. I will make an exception for Tolkien, however, because he’s just awesome.

Okay, so I was glad that Tris had to die. I know that makes me sound like a horrible person. Sorry. Seriously, basically every other important character dies. Why not her?

But anyway, when I read it, I was disappointed.

First of all, the premise of her death was disappointing. Everyone in the city’s going to die because of fanatical Evelyn. So let’s wipe out their memories! Smart! No, it’s wrong to wipe out an entire population’s memories. So let’s wipe your memories. That will fix out problems.

The suggestion is bad, and it is worse coming from Abnegation-Tris’s mouth. Thank goodness some of the characters had misgivings, but how come Tris is suddenly the one making all of the decisions? Her judgment is clearly clouded by a newfound immaturity.

There is a distinction between sacrifice and suicide. The mission to the serum room was a suicide mission, not a sacrificial mission. There were other options besides suicide. The ending seemed forced and impersonal.

But the ending was not without its good parts. I liked that Tris died. That was the only way it could have ended. I also did like how she did not die in a blaze of glory and sacrifice: she did not dramatically throw herself in front of a bullet (or, worse, a knife) flying towards her beloved. Haven’t seen that before. Her death was stupid and an ugly coincidence, just like in real war. However, I wish that she could have actually failed in her mission.

Tobias’s perspectives at the end were kind of boring, especially all those short little chapters. I

Conclusion

I would not recommend this series to anyone. I did not enjoy it, except for the part when Tris was drunk on peace serum. I chuckled at that part. I feel like this could have been an amazing series, with a different backstory. It started out okay, but then went downhill fast. I think that with a new edition and many revisions, it could rise out of mediocrity and into the “good” category, but until that happens, I am standing firm.

If you have different views, please let me know in the comment section below! If you can convince me, I’ll eat my words.

Mathemabooks: Mathematics in Storytelling

Not only do I enjoy writing, but also I enjoy math, science, and that sort of thing. I am very interested in how math can be worked into literature. A lot of good books feature mathematics or mathematical concepts. One that comes immediately to my attention is Flatland, by Edwin A. Abbot, which is a satirical novel taking place in a fictional universe of only 2 dimensions.

Others that come to mind include the Sir Cumference book series, which I read in 3rd grade math class. They deal with mathematical problems while using wordplay and humorous plots set in a pseudo-medieval “Arthurian” land.

I also remember one of my favorite books, A Wrinkle in Time. For those of you who don’t know, it deals with time travel, a theoretical mathematical concept. This book was also philosophical and religious, and I enjoyed it a lot.

But how to work math into a novel? Good question! I am sure there are many very creative ways to work math into a novel or short story. I’ll explore a few of those in this post.

Fractals

I think fractals are very interesting in how they are essentially infinite. Infinity is an interesting topic to explore in a novel, as it raises a lot of questions. A cool way to work fractals into a novel would be a sort of infinite procession of repercussions of the main character’s actions. Or a fantasy land where the hero(ine) progresses through infinite, identical lands that constantly shrink where (s)he constantly has a chance to redo actions.

Circles

Again, going off of the concept of infinity. Circles have no beginning and no end. What if a story started never really began or ended? What if you could start reading at any place in the novel, and it would constantly flow? It would always be different, depending how you read it? I don’t know if that would even be possible, but I think it would be a really cool idea, kind of like the Choose Your Own Adventure books.

Dimensions

Of course, Flatland already has this covered in a way. However, I think it would be cool to explore the forth dimension and the possibilities that it opens up.

Time

Again, A Wrinkle in Time and just about every other time-travel novel out there has this covered, but what if you approached time travel from an extremely mathematical perspective? Like, the character had to memorize complex formulae and equations to be able to time travel? If time travel wasn’t “magic”, but rather an extremely advanced form of geometric progression or digression? That would make for an interesting, and educational, read, I think. Maybe I’ll do that some day.

Infinite Numbers

Infinity is, in itself, an extremely confusing and interesting topic. But, if you think about it, you can contain in infinity between to points. Take numbers: there are an infinite number of decimal places between 1.0 and 2.0, or even between 1.0 and 1.000000000001. “Some infinites are bigger than other infinites.” (John Green, The Fault in Our Stars).

Say a hero had a set amount of time he could do something, but, he had an infinite number of times he could do it. He had to complete an impossible task, or at least a task that would be impossible if he was stuck in a finite world. But if he could go within a contained infinity… It hurts to think about it! Anyway, that would be cool, and it brings back the ideas of time travel and fractals.

Circling back to a conclusion

I think that a novel based on mathematical principals would be extremely interesting and enjoyable, both to write and to read. Maybe I’ll write one someday. A long way down the road once I’ve finished high school and have time to really think about something like that.